Friday, January 17, 2014

Never "work" a day in your life...

Follow your bliss and don't be afraid,
and doors will open where you didn’t know they were going to be.”
Joseph Campbell
 
Shrimp Boats Is 'A Comin'

Right Livelihood 
Motivational speakers like Tony Robbins and Wayne Dyer have long since borrowed the advice of Confucius, the Buddha and Joseph Campbell about meaningful work and offered it as popular, self-help wisdom. In fact, there was a best-selling book in 2011 by Marsha Sinetar entitled, “Do What You Love, the Money Will Follow – discovering your right livelihood” – a rewording of Campbell’s “follow your bliss.”  The book offered to help readers discover their calling in order to lead a fulfilling life and more than that, a life of integrity. So it shouldn’t be surprising that 20 years earlier, author/philosopher, Sam Keen identified “right livelihood” as the fifth heroic virtue required of one who hopes to complete the “sacred quest” and live from the heart.

The Buddha named right livelihood as one of the steps in the Noble Eight Fold Path, the way to peace, wisdom and nirvana. There are a number of elements that comprise “right livelihood and the first is to find a way of earning a living without doing harm to others. But it’s much deeper than that. As Zen teacher Thich Nhat Hanh teaches, "To practice Right Livelihood, you have to find a way to earn your living without transgressing your ideals of love and compassion. The way you support yourself can be an expression of your deepest self, or it can be a source of suffering for you and others. " ... Our vocation can nourish our understanding and compassion, or erode them. We should be awake to the consequences, far and near, of the way we earn our living." 

The second aspect is to find “appropriate happiness” which refers to making your living doing something you feel good about doing. If you hate your job, you’re going to be miserable and everyone else around you will be too. But if you are working at something that fulfills you and at the same time makes you feel as if you are contributing in some way to the happiness and well-being of others, then you are clearly practicing “right livelihood.” Confucius said it so well almost 2500 years ago, “Choose a job that you love and you will never work a day in your life.” And theoretically, if you follow your bliss by working at something that “inflames your soul and fires your passions,” then eventually sufficient income and success will come. (Manion, James. The Everything Philosophy Book online at http://books.google.com/books/about/The_Everything_Philosophy_Book.html?id=2w3uGPsQWf0C) 

There are a number of additional aspects of right livelihood including that it should contribute to our own spiritual growth too – or at least not hamper it - but for my purposes these are enough to think about.  Keen says there is no formula for determining right and wrong livelihood but that we “must keep the question alive.” So what does that have to do with identifying ourselves as artists? According to Keen, we must listen to the voice of our own being, discover what gives us our greatest joy and determine what it is we have to give, to contribute to the betterment of others and our society. Well that’s all well and good – follow my bliss – and if like most of us who dare to call ourselves artists in some genre or other, my bliss is to create beautiful or meaningful artworks, plays, poems, musical scores, etc., then what am I doing in my current day job??? And don’t we all have to compromise that bliss just in order to survive and meet our responsibilities?  Maybe…but maybe we can accomplish “right livelihood” by a thoughtful consideration of how our current employment fits in with our values or whether, like art, it is also an expression of our love, devotion and service to others and not just a matter of money. 

Keen, in his book, “Fire in the Belly,” tells a cute little story about the conflict and contradictions we might face in choosing “right livelihood.” He explains, “A young man came to therapy complaining that each time he tried to take the examinations for his Ph.D. in sociology, he got diarrhea and had to leave. The therapist asked him, “How do you feel about becoming a professor of sociology?” “Sh..ty,” the man replied. “Then why are you doing it?” the therapist asked. “Because my father is a professor and has always planned for me to be a professor…” (Keen, p.169)

What the young man really wanted to do was work in theater as a set designer but he was unsure of whether he had the talent for it, whether he could make a living at it. But the reality is that clearly he’d have made a lousy professor of sociology, made himself and his students and his family miserable, and probably failed at it in the long run. I used to have a small poster in my high school classroom that said, “Work…is love made visible.” That’s the way I felt about teaching…I considered it an art every bit as much as the paintings I do today and I knew that it tapped into a fundamental joy for me in serving others through my creativity in the classroom. The connotation of “right livelihood” today, says Joanne Colbert, “has more to do with earning your living while being of service to the world. And, for me, it assumes that the thing that gives you the most joy is the way you can best be of service to the world. In fact, if something does give you great joy, that’s a significant clue that it is the unique gift you have to offer the world. And the world is waiting for what you have to offer.”  That’s what we mean by the word “vocation” – not just a job but a calling.

“Vocation is the place where your deep gladness meets the world’s deep need,” wrote Presbyterian minister Frederick Buechner.  If art is the source of your deep gladness, what need in others is it addressing, what values important to you does it express…how does it serve?



 

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